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Sunday , 4 October 2026
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KALKI KOECHLIN CURATES MAX PROJECT NEW

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Max Fashion India has unveiled Project New, a festive collection curated by Kalki Koechlin that fuses the age-old artistry of Sanganer block printing with the imaginative works of specially-abled artists from Chennai’s Kairassi Foundation. The collaboration celebrates craft, individuality and cultural storytelling, redefining festive fashion through art.

What happens when fashion begins not with trends but with art, craft and imagination? That question became the foundation of Max Project New, a festive collection that brings together two distinct creative worlds under the curatorial eye of Kalki Koechlin. The initiative is a bold attempt to reframe festive fashion as a canvas for cultural expression, where heritage and individuality converge.  

In Sanganer, Rajasthan, block printing has thrived for centuries, its rhythm defined by the precision of carved wooden blocks and the repetition of motifs passed down through generations. This tradition, deeply rooted in community and craftsmanship, forms one half of the collection’s narrative. Each print carries with it the weight of history, the patience of artisans, and the quiet poetry of repetition.  

Contrasting this is the work of specially-abled artists from the Kairassi Foundation in Chennai. Their creations, unbound by convention, are driven by imagination, personal expression and the freedom to see the world differently. Where block printing is about continuity and discipline, these artworks embody spontaneity and individuality. Together, they form a dialogue between structure and fluidity, heritage and innovation.  

At the centre of this collaboration is Kalki Koechlin, whose vision was to bring these artists and artisans into conversation with one another and with Max Fashion. Known for her eclectic choices and advocacy for inclusivity, Koechlin’s role as curator ensures that the project is not merely about design but about storytelling. She has woven together narratives of tradition, resilience and creativity, ensuring that each garment carries more than aesthetic value—it carries meaning.  

Max Project New is therefore more than a festive collection; it is a cultural experiment. By juxtaposing block printing with contemporary art from differently-abled creators, the project challenges conventional ideas of fashion as surface decoration. Instead, it positions clothing as a medium for dialogue, where heritage techniques and fresh perspectives coexist. The garments become wearable stories, each piece reflecting both the rhythm of tradition and the spark of imagination.  

For Max Fashion, the initiative underscores its commitment to celebrating diversity and creativity. By collaborating with Koechlin and supporting the work of the Kairassi Foundation, the brand has created a platform where artistry and inclusivity are not afterthoughts but central to design. The festive collection thus resonates not only with those seeking beauty but also with those who value meaning in what they wear.  


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